Dear David.
Your comment (highlighted in red below) makes me wonder whether there has ever been a record of a systematic study of the shape of plectra on the sound quality. I have had plans for such a study of systematically varying the geometric parameters of the plectrum and the effect on the sound, but age and other increasing responsibilities prevented that—plus a quest for a quantitative measure of “sound quality”. Yet, I would love to see the result of such a study, even as a descriptive attempt, because I think that this could be a tremendous assist to improve one’s instrument a lot, especially for serious hobbyists, who cannot spend a lifetime on accumulating such an experience professionally.
If you can identify such a record, I would love to learn about that. (I had only Frank Hubbard’s advice for my kit in his little red book).
Wolfgang
| David_Perry
May 24 |
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It’s definitely a harpsichord. Pascal Taskin was a famous French harpsichord maker of the 18th century whose designs have often been copied. The instrument you have might well be based on a Taskin, but it’s hard to say without more information.
It’s most likely that this was made from a kit. However, kits could be purchased in various forms; for example, a skilled woodworker could purchase only the soundboard and action parts, and make the rest (the case) himself from plans provided by the maker. More commonly, one will purchase a complete kit with all parts and simply do the assembly and finishing. If you’re still in touch with your friend, maybe he could give you some additional information.
If you post a photo of one of the jacks (the tall white plastic pieces), someone here may be able to identify the maker.
Don’t worry about the fact that the bottom of the case is plywood. That was a common practice. The other case parts (except perhaps the lid) should be solid wood.
As far as getting the best sound quality goes: the design of the case does influence this considerably, but it’s out of your control at this point. What you can control is the final voicing, that is, cutting the plectra (the small bits that actually pluck the strings). Careful voicing is very important for a good tone. There’s no way to know how the instrument will sound except to string it and voice one of the registers.
Good luck with finishing the project and let us know if you have more questions.
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In Reply To
| ⵘⵘⵘ
May 24 |
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Dear masters, Thanks a million for all your suggestions. I am by no means professional and I have to admit that I didn’t know so many models and schools before reading your replies. Thank you. I have really no idea, I am afraid, whether it was made of a kit, because I assume that the wood quality …
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Wolfgang G. Knauss
Theodore von Karman Professor of
Aeronautics and Applied Mechanics, emeritus
California Institute of Technology
Pasadena CA 91001
626 395 4524 Phone — Office
626 798 3793 Phone — Home
626 797 0405 Fax — Home