Just got the 50th Anniversary Issue of Harpsichord & fortepiano, Autumn 2023, with a dozen very interesting articles.
In particular the one by Paul Irvin, “Modern vs historical harpsichord plucking”, provides much food for thought, and I thoroughly recommend reading it.
There are two particular points in Irvin’s article that I deem worth discussing here, but only (quite obviously) among those who have first got the H&fp issue and read the article.